Each contestant has different reasons for partaking in the show.
Blood lust movie 2016 tv#
Once again fishing in the model pool Playing with Dolls: Bloodlust has the good fortune of having Elonda Seawood - a last-minute replacement for Alanna Forte from the original - as a minority character not afraid to show off her goods.įour people are lured to a remote cabin in a densely forested region under guise of a reality TV show. Playing with Dolls: Bloodlust at least makes strides forward in terms of special effects but remains as anemic as ever in terms of narrative. Granted Perez is only minimally exploitative but like the New York grandmaster his projects also seem to be based more on premises rather than finished scripts and by and large seem like an excuse to get his assembled actresses out of their clothes. Like Big Apple breastlover Wynorski or Hawaiian low-budget specialist Albert Pyun, Perez too has access to a pool of actresses many of whom don’t seem to mind taking their tops off whenever the script requires. There’s an almost Jim Wynorski quality to the oeuvre of Rene Perez in that he shoots his features in a similar breakneck pace with little regard to things like screenwriting or stylistic cohesion. If Playing With Dolls (2015) was a stylistic exercise, a mood piece above all else, then Playing with Dolls: Bloodlust is where things, minimal as they were, show mild signs of improvement. Those hoping that Perez would at long last manifest something, anything, to warrant Playing with Dolls existing beyond the original will be sorely disappointed. Redundancy and regression has long plagued the slasher subgenre and Playing with Dolls: Bloodlust is a good example of the American slasher persisting despite decades-long creative inertia and erosion. It did have a cool looking killer and the dynamic duo of Natasha Blasick and Alanna Forte remain unmatched. The actual slashing was fairly minimal and it wasn’t remotely scare or tense. The original Playing with Dolls (2015) had its problems.
Blood lust movie 2016 series#
At best it’s a cosmetic change that has little to no bearing on the more fundamental problems that plagued this series since its beginnings in 2015. The only fundamental change is that the series after Playing with Dolls: Havoc (2018) was rebranded as simply Havoc with Cry Havoc (2019) acting as the first episode under the flagship series’ new name. He keeps churning out these things with no notable improvements (and with little variation) between episodes.
Blood lust movie 2016 serial#
Pre-order your copy of on iTunes Playing with Dolls: Bloodlust here.Plot : reality show contestants run afoul of escaped masked serial murderer.įor reasons both inexplicable and incomprehensible the Playing with Dolls (2015-2017) franchise is Rene Perez’ most persistent property next to his zombie series The Dead and the Damned (2011-2015) and his penchant for reimagining classic European fairytales for mature audiences. Deep in an underground bunker, a psychotic voyeur watches as life and death play out for his amusement. What the contestants don’t know is that this murderer is a real killer and the television program is a ruse. The program is filmed with scores of tiny cameras, in a cabin and the surrounding forest. In the show, they must survive being chased by a killer. In the meanwhile, we’ll leave you with the latest trailer:Ī group of aspiring actors are chosen for a reality horror TV show. Playing with Dolls: Bloodlust will be available on iTunes and Amazon this November 1st and is releasing in an unrated version, so fans can see the true brutality of this low budget slasher. The film stars Richard Tyson (Black Hawk Down), Karin Brauns and Colin Bryant. In reality Stina (Karin Brauns) has been tricked into performing for a reclusive sadist. Indie horror director Rene Perez is all set to follow-up last year’s Playing with Dolls, with the sequel Playing with Dolls: Bloodlust.Īlready released in foreign territories, including Germany, and slated for a November 1st North American launch, Playing with Dolls: Bloodlust focuses on a desperate single mother and the promise of quick cash.
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